#this took ages please love it

[hinamie]

inflict

[rawranansi]

A life that eats and eats and eats and crunches your bones but leaves your heart

[ricky-mortis]

I think Dakkar should play that organ while they’re on the Nautilus.

[moeblob]

What's an otome?

You read a picture book to romance fictional characters, anon.

(for reference: on page 2 the second panel characters are from Steam Prison. Vita touch mechanic mention is Bad Apple Wars and the sexism call outs is in Sweet Fuse.)

I struggle personally with the self-insert intended otome because I look at characters and go "that's my son now" and I can't romance my son! That's why I prefer games with a designated design and some bare-bones personality protags. THEY can romance my son.

[scalpelsister]

one gif from every Neve romance scene 🩵

[a-star-that-burns-brightly]

It's kind of disheartening to me how the common fanon portrayal of Xander and David's dynamic is usually boiled down to Xander being a 'simp' (for lack of a better word) with a one-sided adoration and idolization of David. Especially after the latter's heel turn in CH2-11. And I say that because one of the most important facets of their dynamic to me is the fact that David also very much idolizes Xander just as much, if not more then Xander idolizes him. David believes the world cannot change, we know this. But I think an aspect of his philosophy that I think goes severely overlooked is just how badly he wants to not believe that. He wants to believe that the world can change, and more specifically, that people can change. This aspect of himself can be seen in many parts of his character. I'll most likely touch on this in a later post, but it's most likely part of why he devised his plan to share the secrets. It's very likely the reason he became a motivational speaker, and it plays a massive part in his two closest relationships during the killing game, Arei and Xander. But today, we're talking about Xander. David looks up to Xander. Incredibly so. Xander is everything that he wants to be.

David: You wanted to make Nico feel comfortable, even though you wouldn't necessarily get anything out of it.

Someone who is unconditionally kind to others with no ulterior deceitful motive, just for the sake of being kind to others.

David: You're always full of energy and bravery to achieve your goals, no matter what they are. Yet at the same time, you're a compassionate person who takes the time to help others.

Someone who strives for hope and change, and will never back down until he has it.

David: I have trouble believing that Xander would be the kind of person to commit murder.

An unquestionable Good Person.

That is why he pushes back so hard when Teruko accuses Xander of attempting to kill her. He refused to acknowledge the possibility that Xander, for all of his good qualities, might've been a much more deceitful person than he was letting on.

Because quite frankly, even though the two of them agreed to treat each other to treat each other less as role models and more as friends, if you ask me: I don't think David ever stopped seeing Xander as his role model. I mean, why would he? Like I said before, Xander is everything David wants to be, everything David so badly wishes he could be but has it etched into his brain that he is incapable of such. Xander is a light in his dark chasm of cynicism, a glimmer of hope. That maybe, just maybe...

Xander: Enough with these idols or role models, okay? Let's just be friends. David: I... David: I'd love that. Thank you.

Things could change.

Teruko: Earlier at lunch, Xander had asked for me to meet him in the computer lab, claiming that he wanted to tell me about some plan he had to confront the mastermind. Teruko: We both met up there after dinner, where he tried to murder me instead by stabbing me with the kitchen knife. David: Xander tried to kill you? I find that hard to believe.

And then the light starts flickering. I've mentioned it before in this post, but one of David's biggest flaws in his mindset is that it causes him to view people, including himself, in a nuance-less binary lens of black and white.

David: People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

You are either a good person, or a lazy, useless, stupid piece of shit. In simpler terms, you are either born a good person or you are born a bad person, and whichever you are born with will become your identity until the day you are in a casket. That is what David believes. Up until now, Xander was strictly placed into the slot of "good person". Not just that, but practically the opposite of what David deems as a "lazy, useless, and stupid" person. He himself has described Xander as someone who is full of energy and will do anything to achieve his goals, someone who takes the time to help others, and a compassionate and generally emotionally intelligent person. That is who Xander Matthews is to David. But now that he is being given evidence of a more potentially malicious side to Xander, the pitfalls of a firm black-and-white mindset rear their head and repeatedly bludgeon David in his own.

David: It's possible that those bloodstains are Xander's, not yours.

(he's reaching so fucking hard here and he fucking knows it, god I hate him. /pos)

David: Are you saying that Xander is a killer? I find that difficult to believe.

Teruko: -But I believe that the origin of the DVD is not from the culprit, but rather, from that person (SELECT: Xander) Teruko: It was most likely Xander. David: Xander... He planned something that manipulative?

David's monochrome mentality (Riproducer reference completely intended) makes it so that he cannot even fathom the idea that Xander, someone he previously marked off as not just a good person but the good person, is even capable of hurting someone, of being cruel enough to intentionally trigger someone just for his murder plan, to murder someone in general. If his feelings towards Min are anything to go by...

David: Something as horrible as this murder, as horrible as this class trial-- David: How dare you! You killed Xander, and you were perfectly willing to kill everyone else here to escape!

David: At that time, watching Min, I kept thinking... David: ... David: How utterly pathetic she was!

That would certainly bring Xander to the category of lazy, useless, stupid bastards. But David has already put Xander into the category of a "good person". So what else is he meant to do other than defend and deflect anything suggesting otherwise? David doesn't want to believe that that glimmer of hope that Xander gave him was just a lie, that hope that things could change, that he could change. So he defends it. He clings to it. He doesn't want to let go. But here's the funny thing about David. Despite his black-and-white mindset, despite the fact that he does believe good people exist, he will always be, first and foremost: A cynical bitch. Point being: I think David, deep down, knew full well that Teruko was most likely telling the truth. Like, I joked about it earlier, but do you really think he believed the lack-luster argument that completely ignored evidence that he could gleam by just looking at the crime scene? I think he was just reaching for anything at that point to try and prove himself wrong. But it's no use, the light continues to flicker. David's denial of Xander's cruelty is quiet to none, but it's clear he is still clinging desperately onto the positive image of Xander he used to have, seeing as he does not show nearly as much animosity (verbally anyway) towards Xander then he does towards Min, despite the fact that Xander also seemed more than willing to kill the rest of the class to escape. It's breaking. But after Min's execution, it's clear that it all hits him at once.

David: I... I've seen enough. There's no point in keeping my hopes up anymore. David: We are all certainly going to die here.

David Chiem left the courtroom that day with his hopes snuffed out, nothing left within him other than the cruel reminder of something he already knew:

If something is important, then

It'll break and disappear.

[wikitpowers]

kitty and merthur parallels bc i'm sad pt.1 (beware of spoilers!)

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[keirientez]

posting fem r27 content bc theres someone whom i promised ill do my worst on them and i never did them justice

[glorber]

[brass-knuckle-kiss]

chilchuck for sure smokes Marlboro Reds ♥️ (+ closeup because we were robbed of him having grey hair)

[shittywriterbrain]

read my differently sized gif captions boy

[nikolas-ghostbusters-fixation]

Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.

I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.

I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??

Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.

[fallen-moss]

Clouds (digital silk)

This is a redraw of a drawing I did about a year ago, I’m immensely proud of how it turned out this time! I wanted to play a bit more with lighting and backgrounds :D

Shout out to user 2fresh2pure for the head cannon that Jeremy goes on to write Will C’s music bc it such a good hc and inspired the title for this post!!

[fromtheseventhhell]

Zutaras are really the original self-insert, "we understand the story soooooo much better than everybody else" girlies and they just never moved on

[murdleandmarot]

The gang’s all here!! They’re on the case!! And there’s no ghost that they wouldn’t chase!!!!!

@mysticalcats’s Foxglove, @toki-toro’s Chaumet, @emimii’s Clownaire, and my own Bluebelle :)

[mel-addams]

Disco Harmony

[Image ID: a digital watercolor illustration, fanart for the game Disco Elysium. The image feels somewhat isolating, the majority of it filled only with a blue sky, nearly empty save for some sparse clouds, plus musical notes floating around two lines, swirling downward together to visually imply whistled tunes. The thicker line is a simple, swaying dark green trail—the other, a dark orange that loops around it in a thin, twisting melody. The lines end above Harry and Kim, who are sitting on an old, rusted swingset, staring out at a car half-sunk into the icy sea before them. They are viewed from behind, near a sparsely-leafed tree in the blurry foreground. The colors around the edges of the image all fade into a soft, Pale grey, which in turn becomes wispy and transparent.]

DRAMA - The tune on your lips forms a strange, yet undeniably beautiful contrast with the surrounding bleakness. KIM KITSURAGI - The lieutenant gives you a quick glance. Then, still looking straight ahead, he joins you with a higher-pitched and slightly more melodic trill. CONCEPTUALIZATION - Two birds on a wire, whistling by the seaside. Looking at the water. And a sunken car.

🎵 Want to be free Burn, baby, burn 🎶 And the trees are green and overhanging Feather-light, free, and everlasting

Doing a bit more watercolor experimentation in Rebelle, trying to wrangle water physics. The description of this scene stuck in my brain—because unless they both knew the song, you don't "just" casually, spontaneously harmonize with someone. They're either both very good with musical improv, and/or so ~in tune~ (hehe) with each other that it Just Works. (Which, yes, it's a symbolic story element of how Kim is perfect good at being adaptably exactly what's needed, a parallel to that one trust exercise idle they do.)

Either way, this struck my brain with the idea of using swirling lines (as ya do) to visualize the song as being the most solid and "real" thing, in what would mostly be isolating, empty sky. Everything else is watercolor (with ink lineart and airbrushed fog)—transient, transparent, and taking on the texture of the canvas—but the "song" was done in solid, opaque pencil.